Monsters of the High Seas


I was in Dampier yesterday and was fortunate enough to go out on a line boat for a quick tour around the new harbour up that way and to see some iron ore being loaded into on of these monster Iron Ore Ships.

I grew up in Dampier between the age of 6 and 12, so going back here brings back heaps of fond memories of the place I where we had so many adventures. There was no TV, or radio back then and the last bitumen road was in Carnarvon.

My father worked for Hamersely Iron back then and I also recall getting taken up the the bridge of one of these big monsters of the sea and looking down and for a little tacker like I was then, it looked like I was standing on top of mount Everest!

The kit up there building the new jetty is also impressive and I will post some shots of that at a later date.

Australia Day Rotto Style!

Australia Day 2013

It’s been a sensational weekend here at Rottnest this Australia Day weekend and I have selected this photo as one that I think typifies the Aussy day experience at Rottnest.

Full moon rising and a light sea breeze closing the day out with a boat coming back through the channel markers with 4 Aussy flags off the aerials.

Point Pique Perfection

Point Pique Yellow 2

Point Pique, Yellow

Possibly one of the most picturesque bays in WA’s South West is the beautiful Point Pique.

Add a bright yellow boat to the picture and you have a postcard picture perfect photo.

I took these shots whilst staying down south just before New Year which staying with friends in Eagle Bay.

Hope you like them! šŸ™‚

Cable Stations Sunset

Cable station SS

This weeks Cyclone coming down the West Coast of Aus has made for some very different and cool cloud structures and sunsets.

I am thinking that the day before this one was probably the best and of course I decided not to go out! šŸ™‚ But, The 3 dimensional cloud formations on this night were pretty cool.

We decided to see the sun setting in one of the picnic benches down at Cable Stations which ended up being a very pleasant evening.

Chicken rolls were the order of the day!

Stitching Techniques Tutorial

Adrian Wayte asked me recently to do a refresher on stitching techniques so I thought I would put a post up going over some of the techniques I have developed over the years for anyone who is interested.

I am not up with the latest technology like my mate Brent and the slick video tutorials so bear with me. At least I guess with a written tutorial it is maybe a little easier to scroll back to a specific area you are looking at!

To start with I confirm that I shoot in RAW and use CS5 and Camera RAW to process the RAW images. Lightroom can easily replace camera RAW if that is the software you are used to.

To start a stitch I set my camera in full manual, with the white balance selected as required. You will need a level tripod and an L bracket so that you can set your camera up in portrait mode. I use a Really Right Stuff Tripod and L bracket. I just about always stitch with a 50mm prime.

Select the scene you want to make a panorama and my good mate Neal Spool uses a cardboard cut out for this purpose cut out at a 3-1 ratio so that you can look through it to visualise the panorama image. I just tend to look left to right visualising where I want to image to start and where I want it to end, then in live view I do a sweep of the scene from right to left viewing the scene in live view.

Decide if your scene deserves 2/3 sky or 2/3 foreground and ask yourself if it needs something in the foreground. If the scene is lacking in the foreground…move left to right to see if there is anything more interesting further around.

Once the scene location has been decided on, click live view on your camera and zoom in to 10x on an area 1/3 out and manually focus on that area..

Set your aperture at something between F8 and F13 and then select the shutter to end up with a reasonable looking histogram (if your camera has that function). Be careful of starting the stitch in a really bright area and ending in a really dark area. It will be easy to either blow the highlights or lose the darks, or both.

So, now that everything is set and you have your release cable attached, start with the left shot and then move the tripod head around to the right and over lay from the last image by 20-30%.

I do a 7 image stitch for a 1-3 composition and a 10 image stitch for a 1-5 composition.

If you are doing a stitch that has any water movement in it. Make sure they are enough control points, or fixed parts of each image to enable the stitching software to work its magic. I always take a few cover shots in landscape mode in case I need to drop a nice wave in to cover up some stitching errors.

To edit, open all the images in Camera RAW. Select the top image and make any white balance adjustments, fill light adjustments, digital grads etc until the top image is close to how you want it. then click ‘select all’ and then sync. Click all the buttons in sync and push OK. In this way all the images will be exactly the same.

Export to photoshop and then immediately save all the images to your desktop.

I use PT GUI to stitch with. It is easily downloaded from the web for about Euro 89…don’t hold me to that, coz its been a while since I bought my version!

Open PT Gui and select the 7 images and then select align images. Check on the various options in PT Gui for the stitching method. Most of the time, I select mercator.

Then go to create panorama. AS a default PT Gui defaults to a small size, so it is important that you select a 16 bit image with no compression and select full size as well.

Export as a TIFF file and name the image what ever you like. Click create image.

A couple of tricks here shown to me by my little buddy Flembotaruny! If your horizon is crooked at align image stage Control click on the right side of the image will allow you to move the horizon up and down until its level. If your horizon is bent, a click in the centre of the image will bring up a hand that will allow you to click and hold moving the image up or down until the bend is gone.

Another trick is if you have shot a water scene, on the last step export as a PSD file, blended with layers. This will allow you to rub in and out the stitching errors in the water. Use a mix of that and the clone tool to get the result you are looking for.

Once the image is saved to your desktop, open back in photoshop, flatten it and do the final processing in photoshop as you would with
any other image.

If you need to use that cover water image you shot in landscape mode, go back to that image and open it in RAW with one of the other synced images…sync the new image with the old…open in photoshop and then open the stitch in photoshop as well. Using the move tool drop the cover image onto the stitch and change the blend mode to darken. This will make the cover image see through so that you can line it up with the background. A move in any directions with your keyboard arrows will move the image 1 pixel in all directions per click. When its close, change the blend mode back to normal and then click on the mask icon whilst holding the option key down. Rub in the bits of the image that work for you using a white brush if you have a back mask.

I have other techniques I use for manual stitching and multi row stitching and stacking that I will leave for another day!